Being a good lit citizen means supporting lit pubs. Donate. Buy. I’m going to show some #AWP17 mags that you need to support…. @NoTokensJournal, @EckleburgReview, @open_letter.
—Meakin Armstrong (Guernica)
She steals. I watch her in the wine store. Instead of going for a normal-sized bottle, she takes a showcased magnum shaped like a black missile. Somehow it stays inside her flouncy skirt. On the counter is a silver platter with three, pie-shaped cuts of brie and a fan of domino crackers. She filches the …
Jason Olsen currently teaches writing and literature at Utah State University-College of Eastern Utah in Price, Utah. His work has appeared in Indiana Review, Mid American Review, and Hayden’s Ferry Review.
Eckleburg runs online, daily content of original fiction and hybrid including work from Richard Peabody, Cris Mazza, Eurydice, Rick Moody, Steve Almond and more…. Read hard. Write hard. “Being a good lit citizen means supporting lit pubs. Donate. Buy. I’m going to show some #AWP17 mags that you need to support…”
Submit Your Fiction
We accept previously unpublished and polished prose up to 8,000 words year round, unless announced otherwise. We are always looking for tightly woven short works under 2,000 words and short-shorts around 500 words. No multiple submissions but simultaneous is fine as long as you withdraw the submission asap through the submissions system. Please do not email the editors to withdraw your submission. Read more. Note: We consider fiction (and poetry) that has appeared in print, online magazines, public forums, and public access blogs as being published. Rarely do we accept anything already published and then only by solicitation. Once the piece is published in Eckleburg, the author is welcome to re-publish the work anywhere and everywhere. In these cases, we ask that the original publication be credited each time to The Doctor T. J. Eckleburg Review. One rare exception is our annual Gertrude Stein Award, which allows for submissions of previously published work.
Chuseok fell in early September that year. In Korea, it is a day for families to gather together and celebrate. Like Thanksgiving, it is a harvest festival, but unlike Thanksgiving, it lasts three days instead of one. Since it is a major holiday, Wonderland, the school in which I was teaching, closed for a week. Many of my American colleagues, teachers who had already been working several months, had booked flights to awesome places, places I’d have loved to travel to myself: Indonesia, Thailand and the Philippines. But having only arrived three weeks earlier and having very little money, I intended to stay in Seoul. There I planned to get better acquainted with the city that would be my home until mid-summer. However, my new friends, Jake, Lauren and Lindsey, were intent on a vacation and they chose Jejudo—an Island off the Southern coast of South Korea—as their destination. When they first invited me to join them, I was hesitant, uncertain that I’d have enough money to last me until my first pay check. But the thought of going somewhere different—somewhere close enough that the airfare wouldn’t break me—proved to be too much of a temptation, and I quickly relinquished my plans to stay behind.
Elizabeth Jaeger holds an MFA in Creative Writing from Fairleigh Dickinson University. Her work has been published in Parentheses Journal, Brush Talks, Waypoints, Foliate Oak Literary Magazine, Peacock Journal, Boston Accent Lit, Damfino, Inside the Bell Jar, Blue Planet Journal, Italian Americana, Yellow Chair Review, Drowing Gull, Icarus Down Review, Linden Avenue Literary Journal, Atticus Review, and Literary Explorer. She has published book reviews in TLR Online and has participated in an episode of No, YOU Tell It! When she isn’t writing, she enjoys hiking and reading with her young son.
“Is this the way they do business in Alabama?” I grab the black plastic knob attached to the end of the lever, shift the transmission into gear and bounce the truck forward. I check the mirrors to confirm that my crippled vehicle follows. Finding myself behind the wheel of a large tow truck, I look over at its owner slumped against the passenger door, head tucked into the corner, already beginning to snore.
David B. Such is a left-handed mechanical engineer with nearly four decades of experience with turbines and other machinery. Off the job, he retreats to his home in the foothills of Colorado where contrasted to his industrial work environment, he appreciates close connections with his natural surroundings and enjoys reading, writing, drawing, and gardening. His essays, poetry, and drawings have appeared in The Flaneur and South 85 Literary Journal and are forthcoming in Weber—The Contemporary West, Stonecoast Review, and Korean Quarterly. Visit David at dbsuch.wordpress.com and dbsuchART.wordpress.com.
I sit on a hotel’s tile balcony, halfway to my destination. The midday sun lies hot on stucco walls and tile roofs. Between the buildings I see a sliver of sea; across the bay, a spine of green-sided mountains cuts the sky. Around me gulls call. All colors here are bright, clear, and strong: white like bleached bone, green the color of cactus, tiles brick-red, and the sea as blue as only blue can be described. Blue.
Naila Moreira is most often inspired by the natural world. After receiving her doctorate in geology at the University of Michigan, she worked as a journalist, environmental consultant, and Seattle Aquarium docent. She now teaches science writing at Smith College, has served as writer in residence at the Forbes Library in Northampton, MA, and will be artist in residence at the Shoals Marine Lab off the coast of New Hampshire this June. Her work has appeared in The Boston Globe, Seattle Times, Science News, Naugatuck River Review, Cape Rock, Pirene’s Fountain and elsewhere, and she is the author of two poetry chapbooks, Water Street (Finishing Line Press, 2017) and Gorgeous Infidelities (2014).
We accept polished creative nonfiction / essays up to 8,000 words year round, unless announced otherwise. Preferences veer toward shorter works under 1500 words with an arts and culture focus. If you wish to include a bio, keep it short, under 200 words. Submit your nonfiction.
Essay Collections and Memoir Manuscripts
We publish essays at The Doctor T. J. Eckleburg Review. At this time, we do not publish novel, long memoir, essay collections, story collections or poetry collections at The Doctor T. J. Eckleburg Review. We do offer manuscript workshops at The Eckleburg Workshops. If you are looking to place a manuscript, we can suggest several excellent small and large presses whose excellent books are promoted through our Eckleburg Book Club — i.e., Random House, Graywolf Press, Coffeehouse, Tinhouse, St. Martins Press and more.
In a different version it was not a pea but a cocoa bean/you came to us in the night/soaked in cold/trembling with fatigue…
Molly Gaudry is the author of the verse novel, We Take Me Apart (Mud Luscious Press, 2009), and the editor of Tell: An Anthology of Expository Narrative (Flatmancrooked, 2010). She curates Walking Man Gallery, edits Willows Wept Press and Willows Wept Review, is a co-founding editor of Twelve Stories, and is an associate editor for Keyhole Magazine. She writes occasional book reviews for East&West Magazine, and she’s currently tweeting a chapter of her new verse novel, FLORA THE WHORE, every few days on Twitter.
We are now accepting previously unpublished poems. Please submit 1 – 5 poems as separate files in separate submissions. Please do not submit them all on one document. Submit. Note: We consider work that appeared in print, online magazines, public forums, and public access blogs as being published. Rarely do we accept anything already published and then only by solicitation. Once the piece is published in Eckleburg, the author is welcome to re-publish the work anywhere and everywhere. In these cases, we ask that the original publication be credited each time to The Doctor T. J. Eckleburg Review.
We publish short works at The Doctor T. J. Eckleburg Review. At this time, we do not publish novel, long memoir, essay collections, story collections or poetry collections at The Doctor T. J. Eckleburg Review. We do offer manuscript workshops at The Eckleburg Workshops. If you are looking to place a manuscript, we can suggest several excellent small and large presses whose excellent books are promoted through our Eckleburg Book Club — i.e., Random House, Graywolf Press, Coffeehouse, Tinhouse, St. Martins Press and more.
21st Annual European Pharma Congress 05/20/2019 10:00 am There is an entry fee Zurich, Switzerland Hilton Zurich Airport Hohenbuehlstrasse 10, 8152 Opfikon Zurich Zurich Switzerland Conference series takes pleasure in inviting the scientific community across the globe to attend the 21st Annual European Pharma Congress during May 20-21, 2019 at Zurich, Switzerland with a motto …
Climate Change 2018 12/03/2018 09:00 am There is an entry fee EurosciCon 40 Bloomsbury Way, Lower Ground Floor, London, United Kingdom Athens Europe WC1A 2SE Greece EuroSciCon is happy to announce its next conference “Climate Change 2018” which is to be held on December 3-4, 2018 in Athens, Greece. The event highlights the theme, ‘Mitigating …
Nephrology Conferences 09/06/2018 08:30 am There is an entry fee Holiday Inn Paris-Marne La Vallee Paris,France Holiday Inn Paris-Marne La Vallee Paris,France 40 Paris other 75003 France The EuroSciCon will be organizing the Nephrology 2018 which is going to be held from September 06-07, 2018 in Paris, France focusing on current and future techniques in …
Melania Trump (Cecily Strong), Ivanka Trump (Emily Blunt), Kellyanne Conway (Kate McKinnon), Omarosa (Sasheer Zamata) and Tiffany Trump (Vanessa Bayer) can no longer stand by Donald Trump (Alec Baldwin).
The Make Up was an American post-punk band from Washington, D.C. formed in 1995, consisting of ex-Nation of Ulysses frontman Ian Svenonius on vocals, James Canty on guitar and organ, Steve Gamboa on drums, and Michelle Mae on bass guitar. The Make-Up were joined in late 1999 by a fifth member, Alex Minoff (of the groups Golden and Extra Golden), who played guitar with the group until the band’s dissolution in early 2000.
Catharsis: One of the great unsettled issues. That it implies a beneficial cathartic effect produced by witnessing a tragic action is clear; how it is produced is in question. Some believe that the spectators, by vicarious participation, learn through the fate of the tragic hero, that fear and pity are destructive and thereby learn to avoid them in their own lives (this interpretation is clearly didactic). Others believe that the spectator, being human and thus subject to disturbing emotions of fear and pity, has this imbalance rectified and these internal agitations stilled by having an opportunity vicariously to expend fear and pity on the hero…. (Handbook to Literature)
Literary Burroughs D.C…. the journal cleverly takes its name from the The Great Gatsby. F. Scott Fitzgerald….” Ploughshares
Proud member of the Council of Literary Magazines and Presses.
The Doctor T. J. Eckleburg Review was founded in 2010 as an online and print literary and arts journal. We take our title from F. Scott Fitzgerald’s The Great Gatsby and include the full archives of our predecessor Moon Milk Review. Our aesthetic is eclectic, literary mainstream to experimental. Write hard. We appreciate fusion forms including magical realist, surrealist, meta- realist and realist works with an offbeat spin. We value character-focused storytelling and language and welcome both edge and mainstream writing with punch aesthetics. We like humor that explores the gritty realities of world and human experiences. Our issues include original content from both emerging and established writers, poets, artists and comedians such as authors, Rick Moody, Cris Mazza, Steve Almond, Stephen Dixon, poets, Moira Egan and David Wagoner and actor/comedian, Zach Galifianakis.
Currently, Eckleburg runs online, daily content of original fiction, poetry, nonfiction, translations, and more with featured artwork — visual and intermedia — from our Gallery. We run annual print issues, the Eckleburg Reading Series (DC, Baltimore and New York), as well as, the annual Gertrude Stein Award in Fiction, first prize $1000 and print publication, guest-judged by award-winning authors such as Rick Moody and Cris Mazza. Write hard.
Over the ashheaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. —The Great Gatsby, F. Scott Fitzgerald