from “Blackness” by Jamaica Kincaid


from “Blackness” in At the Bottom of the River by Jamaica Kincaid

How soft is the blackness as it falls. It falls in silence and yet it is deafening, for no other sound except the blackness falling can be heard. The blackness falls like soot from a lamp with an untrimmed wick. The blackness is visible and yet it is invisible, for I see that I cannot see it. The blackness fills up a small room, a large field, an island, my own being. The blackness cannot bring me joy but often I am made glad in it. The blackness cannot be separated from me but often I can stand outside it. The blackness is not the air, though I breathe it. The blackness is not the earth, though I walk on it. The blackness is not water or food, though I drink and eat it. The blackness is not my blood, though it flows through my veins. The blackness enters my many-tiered spaces and soon the significant word and event recede and eventually vanish: in this way I am annihilated and my form becomes formless and I am absorbed into a vastness of free-flowing matter. In the blackness, then, I have been erased. I can no longer say my own name. I can no longer point to myself and say “I.” In the blackness my voice is silent. First, then, I have been my individual self, carefully banishing randomness from my existence, then I am swallowed up in the blackness so that I am one with it….

About Jamaica Kincaid

While working as an au pair, Kincaid enrolled in evening classes at a community college. After three years, she resigned from her job to attend Franconia College in New Hampshire on a full scholarship. However, Kincaid dropped out of school after one year and returned to New York. In New York City, she started writing for a teenage girls’ magazine and changed her name to Jamaica Kincaid in 1973 when her writing was first published. She described changing her name as “a way for [her] to do things without being the same person who couldn’t do them—the same person who had all these weights”. On her choice of first and last name, Kincaid explained that Jamaica is an English corruption of what Columbus called Xaymaca as well as it is the part of the world that she is from and Kincaid appeared to go well with Jamaica. Kincaid became a writer for The Village Voice and Ingénue. Kincaid’s short fiction appeared in The Paris Review and The New Yorker, where her novel Lucy was originally serialized.

About Eckleburg

What others are saying about Eckleburg
The most exciting and adventurous and gutsiest new magazine I’ve seen in years.” Stephen Dixon
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Eye-grabbing… fun… bold… inviting… exemplary.” Sabotage
Eclectic selection of work from both emerging and established writers….” The Washington Post
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The Doctor T. J. Eckleburg Review was founded in 2010 as an online and print literary and arts journal. We take our title from F. Scott Fitzgerald’s The Great Gatsby and include the full archives of our predecessor Moon Milk ReviewOur aesthetic is eclectic, literary mainstream to experimental. We appreciate fusion forms including magical realist, surrealist, meta- realist and realist works with an offbeat spin. We value character-focused storytelling and language and welcome both edge and mainstream with punch aesthetics. We like humor that explores the gritty realities of world and human experiences. Our issues include original content from both emerging and established writers, poets, artists and comedians such as authors, Rick Moody, Cris Mazza, Steve Almond, Stephen Dixon, poets, Moira Egan and David Wagoner and actor/comedian, Zach Galifianakis.

Currently, Eckleburg runs online, daily content of original fictionpoetrynonfiction, translations, and more with featured artwork–visual and intermedia–from our Gallery. We run annual print issues, the Eckleburg Reading Series (DC, Baltimore and New York), as well as, the annual Gertrude Stein Award in Fiction, first prize $1000 and print publication, guest-judged by award-winning authors such as Rick Moody and Cris Mazza.

We have collaborated with a number of talented and high profile literary, art and intermedia organizations in DC, Baltimore and New York including The Poetry Society of New YorkKGB BarBrazenhead BooksNew World Writing (formerly Mississippi Review Online), The Hopkins ReviewBoulevardGargoyle MagazineEntasis PressBarrelhouseHobart826DCDC Lit and Iowa’s Mission Creek Festival at AWP 2013, Boston, for a night of raw comedic lit and music. We like to promote smaller indie presses, galleries, musicians and filmmakers alongside globally recognized organizations, as well as, our local, national and international contributors.

Rarely will readers/viewers find a themed issue at Eckleburg, but rather a mix of eclectic works. It is Eckleburg’s intention to represent writers, artists, musicians, and comedians as a contemporary and noninvasive collective, each work evidence of its own artistry, not as a reflection of an editor’s vision of what an issue “should” be. Outside of kismet and special issues, Eckleburg will read and accept unsolicited submissions based upon individual merit, not theme cohesiveness. It is our intention to create an experience in which readers and viewers can think artistically, intellectually, socially, and independently. We welcome brave, honest voices. To submit, please read our guidelines.


p align=”center”>Over the ashheaps the giant eyes of Doctor T. J. Eckleburg kept their vigil, but I perceived, after a moment, that other eyes were regarding us with peculiar intensity from less than twenty feet away. – The Great Gatsby, F. Scott Fitzgerald

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Eckleburg is a print and online literary journal that offers original fiction, poetry, essays, music, art, writing workshops and more.

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